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When it came to translating the lavish visuals of Edward Bloom’s stories for the stage, the producers knew they’d need someone who could step out of Burton’s shadow. Actually, it was advice Burton had given August himself: “He was great about saying ‘Make it its own thing,’” says August of a conversation the pair had in 2008, before Stroman came on board. “He was just right in the sense of don’t try to duplicate but try to innovate.”
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